The power of the Timelords lies within their effects.įor example, Michion, The Timelord will half your opponent’s overall life points if it takes part in battle. However, they cannot be destroyed and do not inflict or receive any damage. Timelords are level 10 monsters with zero attack and defence. They are incredibly easy to use and can be very frustrating to play against if you do not know what is going on. Timelords are one of the most fascinating budget decks in Yu-Gi-Oh! Master Duel. Immovable objects Timelords isn't just a strong budget Master Duel deck - it's also fairly easy to play. The deck's reliance on only Normal and Rare cards makes it incredibly cheap to assemble and useful to have to hand for any future N/R Events that may occur. Thanks to a very clear progression of rituals and easy access to cards in your deck, the Megalith deck offers both a fun and easy budget Master Duel deck to tear down your enemy’s field. Next, summon Megalith Bethor to further destroy enemy cards depending on how many ritual monsters you have in your GY, before summoning Megalith Phaleg - who gains 300 attack for every ritual monster in your GY, which at this point should boost Phaleg’s attack to a lofty 3400. Then use Orphiel to summon Megalith Hagith, enabling you to pull the quick play spell Megalith Unformed and lower your opponent monster’s attack by 500. You’re going to want to start with Megalith Orphiel, which allows you to fetch another Megalith ritual monster from your deck to your hand. Each Megalith ritual monster can then be used as a tribute to immediately ritual summon another Megalith card in a daisy chain of destruction. This makes it easier to perform the rituals and doesn’t lock your summons behind pulling a specific card. The main benefit of the Megalith ritual summoning is that, unlike most ritual decks which require a spell card to perform the ritual, the monsters themselves act as the ritual spell card. From there, it’s time to start chaining ritual effects. Getting the requisite ritual cards to hand is pretty easy, thanks to the card fetch effects on monsters such as Manju of the Ten Thousand Hands and summoning spells like Impcantation Thanatosis, which will also destroy an enemy card when a ritual summon is performed. The main goal of this Megalith deck is to repeatedly ritual summon Megalith monsters and use their abilities to rip apart your opponent's field. The Megalith deck is by far the easiest budget Yu-Gi-Oh! Master Duel deck to assemble, thanks to most of the cards being unlockable through The Mystery of the Megalith gate in Yu-Gi-Oh! Master Duel’s excellent solo mode. For the purposes of this list, “budget” is being categorised as featuring few SR/UR cards, or that the SR/UR cards required to build the deck are found within one secret pack, increasing the odds of the required cards being pulled from the pack.Īll rituals, no fuss Megalith is a cheap Master Duel deck to put together, but offers some serious power thanks to its ritual summoning combos. The best budget decks in Yu-Gi-Oh! Master Duel offer a variety of interesting strategies to use in the PvP scene for those not looking to invest heavily into the meta. Thankfully, there are cheap Master Duel decks out there that will allow you to stay competitive without the colossal outlay of gems and materials. This means that a player either has to sink a lot of in-game currency (gems) into multiple secret pack varieties in hopes of pulling the correct cards or dismantle many other SR/UR cards collected to craft the cards needed. The issue is that though there are many cheap decks in Yu-Gi-Oh! Master Duel, the best meta decks in Yu-Gi-Oh! Master Duel - therefore the most competitive decks - are stacked with Secret Rare (SR) and Ultra Rare (UR) cards from across many different secret pack options. Making a budget deck in Yu-Gi-Oh! Master Duel, on the surface, seems an insurmountable task.
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Cinebench is now based on the latest Release 23 code using updated compilers, and has a minimum runtime activated by default (previously hidden in preferences).Cinebench R23 now supports Apple's M1-powered computing systems.For those who have to do a serious amount of testing Cinebench also provides a command line option, allowing users to run automated test procedures. Unlike abstract benchmarks, which only test specific functions of CPUs or GPUs, Cinebench offers a real-world benchmark that incorporates a user's common tasks within CINEMA 4D to measure a system's performance. Any computer owner can evaluate his or her individual system. The higher the number, the faster your graphics card is.Īnyone who needs to evaluate hardware performance should add Maxon Cinebench to the test tool arsenal.System administrators can use Cinebench to help make purchase decisions, journalists can use the results in reviewing hardware, hardware manufacturers may utilize the feedback in optimizing their latest products. The result is measured in frames per second (fps). The graphics card has to display a huge amount of geometry (nearly 1 million polygons) and textures, as well as a variety of effects, such as environments, bump maps, transparency, lighting and more to evaluate the performance across different disciplines and give a good average overview of the capabilities of your graphics hardware. The performance depends on various factors, such as the GPU processor on your hardware, on the drivers used. This procedure uses a complex 3D scene depicting a car chase (created by renderbaron) which measures the performance of your graphics card in OpenGL mode. The higher the number, the faster your processor. This test scene contains approximately 2,000 objects which in turn contain more than 300,000 polygons in total, and uses sharp and blurred reflections, area lights, shadows, procedural shaders, antialiasing, and much more. In fact, Cinebench can measure systems with up to 256 processor threads. This scene makes use of various algorithms to stress all available processor cores. The test scenario uses all of your system's processing power to render a photorealistic 3D scene (from the viral "No Keyframes" animation by AixSponza). If your temps and voltages are safe, it will not hurt your computer. It produces a score to compare PC systems. No, Cinebench only measures your CPU performance. Normally, Cinebench takes 10 minutes to benchmark your CPU. Yes, Cinebench R23 supports Apple Arm-powered silicon computing systems. Does Cinebench support Apple's M1 processor? The GPU isn't used in the test, it is merely used to send output to the monitor. Can I use Cinebench to benchmark my CPU and GPU?Ĭinebench is a CPU benchmarking application. Cinebench can be configured to render the scene using a set amount of threads, starting with just 1 (essentially just one core of the CPU) all the way up to 256. It's great for analyzing how well a CPU manages threads and memory. How does Cinebench work?Ĭinebench uses the CPU to produce a single image using the latest ray tracing techniques. Improvements to Cinebench R23 reflect the overall advancements to CPU and rendering technology in recent years, providing a more accurate measurement of Cinema 4D's ability to take advantage of multiple CPU cores and modern processor features available to the average user. Cinebench scores are used by computer owners to evaluate their systems, journalists to review hardware, hardware makers to optimize their products, and system administrators to make purchase decisions. For over a decade, Cinebench has been a popular tool to evaluate hardware performance and we use it extensively to test the latest CPUs on TechSpot reviews. Cinebench is a real-world benchmark that evaluates your computer's hardware capabilities. In comparison, when you project on a wall, the wall absorbs most of the light and offers poor reflectivity. To get the best projection output, I’d suggest getting a projection screen rather than projecting it on a wall.Ī projector screen consists of special vinyl material and reflective coating, which offer better and brighter projection. Moreover, to produce an 80-inch projection, the projector needs to be at least 9 feet away from the projection surface. You get the best balance between brightness, contrast, and color accuracy. However, from my experience, the sweet spot is between 40-65 inches. The projector is capable of producing up to 100-inch projection. On the other hand, projectors like Kodak Luma 350 and Viewsonic M1+ only offer 200 and 300 lumens, respectively. Later, we’ll let you know should you consider buying this projector or are there better options available.Ĥ00 lumens allow you to enjoy bright projection without having to dim your entire room. In this Miroir M220 review, we’ll go over this projector’s initial impression, design, built quality, and performance. The Miroir M220 is one of their prized creation. Miroir brand is a renowned name in the pocket projector space and has launched plenty of pocket and portable projectors. Hence, if you want a battery-powered projector that you can carry anywhere with you in your pocket, then you should consider getting a pocket projector. Lately, there’s been a big boom in pocketable projectors because they’re easy to carry, offer a big-screen experience, and do not need an active power supply. With the advancement in modern technology, projector manufacturers can now build projectors in any shape and size. Some of the links in the article below may be affiliate links and I may earn a small commission if you click on them and make a purchase. Disclosure: As an Amazon Associate I earn from qualifying purchases made on our website. Find the amount that the first numerator is multiplied or divided by to get to the numerator that is missing its denominator.To find a missing denominator, follow these steps: How to Find the Missing Denominator of a Fraction Multiply the known numerator by this number to find the unknown numerator. Find the number that this denominator is multiplied by to get to the denominator that is missing its numerator. One fraction has both a numerator and denominator. To find a missing numerator, look at the denominators of the fractions. The missing numerator in this question is 24. To find the amount that one denominator has been multiplied by in an equivalent fraction, divide the largest denominator by the smallest denominator.ģ2 ÷ 4 = 8 and so, the numerator and denominator in this equivalent fraction have been multiplied by 8. Step 2: Multiply the known numerator by this same value to find the missing numerator.Step 1: What do we multiply the denominators by?.In simple terms, use the following steps to find an unknown numerator: We need to fill in the blank for this fraction. Here is an example of finding a missing numerator. Multiply or divide the known numerator by this same amount to find the unknown numerator.Find the amount that the first denominator is multiplied or divided by to get to the denominator that is missing its numerator.To find a missing numerator, follow these steps: How to Find the Missing Numerator of a Fraction Dividing the numerator and denominator by the same amount will make an equivalent fraction. Here is the same process for filling in a blank of a fraction shown in reverse. This method helps children to stick carefully to the idea that we are multiplying or dividing by the same values on the top and on the bottom of our fraction. When first teaching finding missing numbers in fractions, it is often helpful to include the arrows from each numerator and denominator as shown in the image above. In this example, we have multiplied the numerator by 2 and the denominator by 2. To create an equivalent fraction multiply the numerator and denominator by the same amount. We can find a missing numerator or denominator in an equivalent fraction.Īn equivalent fraction is made by multiplying or dividing the numerator and denominator of a fraction by the same amount.įor example, 1 / 3 is equivalent to 2 / 6. To find a denominator, read the number on the bottom of the fraction.įor example in the fraction 1 / 2, the numerator is 1 and the denominator is 2. To find a numerator, read the number on the top of the fraction. The denominator is the number on the bottom of the fraction, below the dividing line. The numerator is the number on top of the fraction, above the dividing line. How to find the Numerator and Denominator of a Fraction We did it the democratic way, 2 against 1.'' The Emma of 'Reds' So we called in an arbiter - the author, E.L. He thought her scenes slowed the pace of the film. It was the only spot where Dino'' - referring to the film's producer, Dino de Laurentiis - ''and I disagreed. ''She was there for six and a half minutes, and I wanted her left in. ''Taking Emma Goldman out was not an easy decision,'' says Mr. The speech is broken up by 50 mounted New York policemen. Recognizing the showgirl Evelyn Nesbit in a crowd on the Lower East Side, Emma Goldman causes a riot with a speech about poverty and money that uses Miss Nesbit as an example of the way male exploiters use women. She had, she thinks, ''maybe eight minutes of screen time in 'Ragtime.' '' But it was expensive screen time. On television, she has starred in one less-than-successful series, ''The Fitzpatricks'' as a German terrorist in ''The Raid on Entebbe,'' as Private Slovik's wife in ''The Execution of Private Slovik'' and opposite Kenny Rogers in ''Coward of the County'' in October Her first film role was opposite Dustin Hoffman in ''The Tiger Makes Out'' her biggest film role was with Zohra Lampert in a horror movie called ''Let's Scare Jessica to Death.'' She also performed on Broadway with James Stewart in ''Harvey.'' She played the hero's first wife opposite Jason Robards in the original Repertory Theater of Lincoln Center production of Arthur Miller's ''After the Fall'' in 1964 and recreated the role 10 years later in a television production with Christopher Plummer. Miss Costello, who was featured last year as Mary Tyler Moore's sister-in-law in ''Ordinary People,'' is much better known as a stage and television actress. I'm disappointed, but I didn't expect it to make me a movie star.'' Busy on Stage and TV ''It was certainly an interesting role I was delighted to do,'' she says, ''but, in terms of one's life, it's just a movie. Mariclare Costello, who spent three weeks in London and New York last year playing Emma Goldman, is imperturbable about what most actresses would regard as a serious setback to their careers. It will doubtless surprise all those who made that assumption that there was an Emma Goldman in the movie, but her entire role landed on the cutting-room floor in July, when the $32 million movie was shortened from more than three hours to its final 2 hours and 36 minutes. It was assumed that some artistic decision had been made in advance by the screenwriter, Michael Weller, and the director, Milos Forman, to eliminate Miss Goldman, who in the novel had raised both the consciousness and temperature of the showgirl Evelyn Nesbit in a sexually tinged political encounter. Morgan, Henry Ford, Sigmund Freud and Harry Houdini, but critics mourned in particular the loss of the anarchist Emma Goldman. The book had been crammed with such titans of the first decade of the 20th century as J.P. Doctorow's ''Ragtime'' reached movie screens a few weeks ago, most of the historical figures who interacted with the novel's fictional family were missing. I can't find any online confirmation of this, but my recollection is of the NY Times running an article saying the original cut of the film had run to an unwieldy length, and that the character of Emma Goldman - played, I'm pretty sure, by Mariclare Costello - was eliminated entirely.īy ALJEAN HARMETZ, Special to the New York Times The Original BJ wrote.no Emma Goldman at all! This license grants the buyer exclusivity so the Contributor needs to keep in mind that exclusive media is represented by concepts, models, wardrobe, and subject matter which provide a unique creative message and small variations in the image (variations in camera angle, model posture or gesture, for example) do not enable other files as being different. The Contributor is required to disable the file permanently from all other places where he may sell it, as soon as possible after the sale occurred, but no longer than 72 hours. The agency will disable the media immediately after the buyer acquired this license. The buyer can use it exclusively (exclusivity applies from the moment that the file was downloaded using this license buyer must take into account potential past downloads made for media and choose it accordingly or investigate further via support), and include it in any type of design with just a few restrictions: sensitive subjects may still apply and the buyer may not claim that the file was created by him nor resell it as his work. This license represents a full ownership of the downloaded media. After the end of the exclusivity period, the Contributor will also be free to offer the media for download from other places where the Contributor sells his or her media. At the end of the exclusivity period, the buyer`s license will continue as before, with all of the same rights, except for the right of exclusivity, and the image will again be added to the available library of media on and again be made available to all users for purchase. The print run for both licenses is unlimited and continues after the exclusivity expired. Similarly, SR-E元 will grant an exclusive right to use the image for three years. SR-EL1 will grant an exclusive right to use the media for one year. The length of time for the exclusivity period depends on which license is selected. The Contributor acknowledges and agrees to provide the buyer with the exclusive right to use the file retrieved using the SR-EL1 or SR-E元 licenses, for the duration of the selected exclusivity period. The Contributor will be required to disable the file permanently from all other places where he or she may sell it, as soon as possible after the sale occured, but no longer than 72 hours. ĭreamstime will disable the image immediately after the buyer acquired this license. The buyer can use the media exclusively (exclusivity applies from the moment that the file was downloaded using this license) during the time period selected, and include it in any type of design with just a few restrictions: sensitive subjects may still apply and the buyer may not claim that the file was created by him nor resell it as his work. This license represents an exclusive right to use the downloaded media, but such exclusivity will only last for a limited period of time. Physical Items for Resale/Distribution: includes the right to use the photos or stills comprising media for T-shirts, postcards, greeting cards, mugs, mousepads, posters, calendars, framed artwork that is to be sold to other customers for an unlimited number of copies (applies as a total of each type of usage). Note that the other restrictions still apply. This is an additional license to the rights included within the regular Royalty-Free license. Maximum number of electronic items is unlimited (applies as a total of each type of usage). The number of copies allowed is unlimited for each designer/employee.Įlectronic Items for Resale/Distribution: this license includes the right to use the media in webtemplates that are sold to more customers, screensavers, e-cards, powerpoint presentations or as wallpapers on cell phones. The U-EL license is applied only for the staff of the organization that holds the account. It is an additional license to the usage included within the regular Royalty-Free / Editorial license that awards rights for a single person within the same company. This license extends our regular Royalty Free / Editorial license to an unlimited number of seats within the same organization. Look for new announcements in What's new in Chrome Extensions and the Chrome Developer Blog. We're excited about the improvements that Manifest V3 brings to the platform. We strongly recommend migrating your extensions to Manifest V3 as soon as possible this will become mandatory after Manifest V2 is phased out in 2024. # Start the conversionĪs of Januthe Chrome Web Store has stopped accepting new Manifest V2 extensions. Migration checklist Provides a quick checklist to help adapt your extension to Manifest V3. Migration guide Describes how to get started updating Manifest V2 extensions so they work in Manifest V3. Overview of Manifest V3 Summarizes the technical changes introduced with Manifest V3. The following articles provide an overview of Manifest V3, the reasons behind it, and how to approach it: Platform vision Explains how the Manifest V3 changes fit into the big picture of where the platform is going. Manifest V3 is part of a shift in the philosophy behind user security and privacy. Manifest V3 extensions enjoy enhancements in security, privacy, and performance they can also use more contemporary open web technologies such as service workers and promises. Manifest V3 represents one of the most significant shifts in the extensions platform since it launched a decade ago. The extension platform features change when there's a new manifest version. # What is a manifest?Īn extension manifest gives the browser information about the extension, such as the most important files and the capabilities the extension might use. It shares the background and reasons for introducing Manifest V3 and the vision for the platform's future, along with resources on how to migrate. This site introduces Manifest V3, short for Manifest Version 3, which is the latest iteration of the Chrome extension platform. If your extension requires a specific API, you can specify a minimum chrome version in the manifest file. For extension features added in later Chrome versions, see the API reference documentation for support information. Google is aware that an exploit for CVE-2022-4262 exists in the wild.Manifest V3 is supported generally in Chrome 88 or later. Reported by Clement Lecigne of Google's Threat Analysis Group on High CVE-2022-4262: Type Confusion in V8. Please see the Chrome Security Page for more information. Below, we highlight fixes that were contributed by external researchers. The Extended Stable channel has been updated to 1.94 for Windows and Mac which will roll out over the coming days/weeks. Chrome 1.71 ( Mac/linux) and 1.71 /72( Windows) contains a number of fixes and improvements - a list of changes is available in the log. This will roll out over the coming days/weeks. A full list of changes in this build is available in the log. The Chrome team is delighted to announce the promotion of Chrome 108 to the stable channel for Windows, Mac and Linux. The Stable channel has been updated to 1.94 for Mac and Linux and 1.94/.95 for Windows, which will roll out over the coming days/weeks. The community help forum is also a great place to reach out for help or learn about common issues. If you find a new issue, please let us know by filing a bug. Interested in switching release channels? Find out how here. Many of our security bugs are detected using AddressSanitizer, MemorySanitizer, UndefinedBehaviorSanitizer, Control Flow Integrity, libFuzzer, or AFL. Various fixes from internal audits, fuzzing and other initiatives We would also like to thank all security researchers that worked with us during the development cycle to prevent security bugs from ever reaching the stable channel.Īs usual, our ongoing internal security work was responsible for a wide range of fixes: Medium CVE-2022-4440: Use after free in Profiles. High CVE-2022-4439: Use after free in Aura. High CVE-2022-4438: Use after free in Blink Frames. Reported by and Guang Gong of 360 Vulnerability Research Institute on High CVE-2022-4437: Use after free in Mojo IPC. High CVE-2022-4436: Use after free in Blink Media. We will also retain restrictions if the bug exists in a third party library that other projects similarly depend on, but haven’t yet fixed. Note: Access to bug details and links may be kept restricted until a majority of users are updated with a fix. The Extended Stable channel has been updated to 1.124 for Mac and 1.125 for Windows which will roll out over the coming days/weeks. A full list of changes in this build is available in the log. The Stable channel has been updated to 1.124 for Mac and Linux and 1.124/.125 for Windows, which will roll out over the coming days/weeks. It's unnerving, and the mechanical wailings characterize the violence of HAL's actions even though it's only presented by way of vital signs on a computer screen. Instead of bad-guy stalking music-or worse, some Hans Zimmer "Bwahh!" bleating in the background-we are serenaded with technological warning beeps on the life support monitoring equipment. To focus on something as simple as breathing reminds us just how dangerous a spacewalk really is, providing an anxious mood without any music telling us how to feel.Īnother great example is the scene where HAL murders the three hibernating scientists. Instead of a musical cue, we get the simple, rhythmic breathing of the astronaut. One example is the scene where Bowman takes a spacewalk to retrieve the AE-35 antenna unit. The Sounds of SilenceĮqually important are the scenes that lack music altogether but instead rely on diegetic sounds to set the mood. ( Source) You can see how this concept might fit the idea of humanity's eventual evolution into the Star Child. He will sacrifice himself to enhance humanity. He dominates others and can change the course of history. An ubermensch is beyond the control of others and lives by his own values. If God ever appears on earth again, we suggest he play "Zarathustra" before he arrives everyone will know what's happening and change into a clean pair of jeans.Ī quick bit of history: Strauss named his musical composition after philosopher Friedrich Nietzsche's book Thus Spoke Zarathustra, which introduced Nietzsche's idea of the ubermensch ("over-man" or "super-man"). The discovery of tools will change the evolutionary game for the hominids meanwhile, the Star Child ushers in the next step of human evolution, from human to something beyond human. The grand boom of the percussion and the triumphant blare of the horns signal the coming of an important transitional event, stunning and scary at the same time. It's everywhere-commercials for Toyota Camry and Coca Cola have used it Jimmy Fallon and Justin Timberlake even a capella-ed it for an iPhone 6 ad. The section of Strauss's work is called "Sunrise," and the film made it hugely famous. 30," by Richard Strauss, plays during the opening credits, the invention of the bone club, and the reveal of the Star Child. The opening section of "Also Sprach Zarathustra op. This wailing, mourning choir foreshadows impending death-first of the early hominids, who are replaced by humans, and then of the human species, who will be replaced by the Star Child. The music also adds a mournful quality to the scene. This strengthens the sense of the awe in the unknown. Although there's a choir, they don't sing in words but rather intone, as though words can't properly explain their feelings. This piece is used to give a sense of mystery and gravity to the monolith. György Litgeti's "Requiem" (the Kyrie) is used when the monolith is discovered by both the early hominids and Dr. The major key says, "This is beautiful, safe, and natural." The combination of imagery and music transforms space travel into a technological dance of mathematically precise proportions. The ship and station are turning in sequence while they spin (orbit) around the Earth. The ships and satellites move in a graceful way, turning and turning around a focal point like a couple waltzing. The waltz's upbeat winds and strings invite the audience to explore the wonders of spaceflight. "The Blue Danube Waltz," by Johann Strauss, is played during Floyd's space travel scenes. Let's look at some of the compositions Kubrick choose: They can't rely on the soundtrack to tell them how to feel-like how a horror movie screams at you with shrill strings to tell you that you should be frightened. In other words, Kubrick's choices of music heighten the mystery and wonder of the images on screen but still require the audience to contemplate what's presented. Just consider the bubbly pop music used in romantic comedies or the fast-paced tempo of a chase sequence, and you've got the idea.īut in 2001, "Kubrick sections the soundtrack so that extra-diegetic music never accompanies dialogue scenes, leaving the audience bereft of normative emotional cues." ( Source). In a traditional score, the music gives the audience cues about how to feel about what's happening onscreen. Kubrick's decision resulted in a score that's very different from a traditional soundtrack. If it's any consolation, your soundtrack will eventually be released on CD for fans to enjoy. Originally, Alex North was commissioned to provide 2001: A Space Odyssey with an original score, but after Kubrick used classical compositions to edit the film, he liked them so much that he decided to keep them. And yet, it uses an entire array of special effects, designed to make the production look and sound better.īut here's the thing: Because this is such a mundane video, there's no way I could have justified the hours it would take to mask out my moving head and torso frame-by-frame. All it does is show how to select a checkbox in Adobe Illustrator. My video is only two minutes and 41 seconds long. But powerful special effects can be at play in even the most mundane productions. We're used to splashy special effects when watching a big-budget blockbuster sci-fi movie or TV show. Screenshot by David Gewirtz/ZDNET AI to the rescue If you see inaccuracies in our content, please report the mistake via this form. If we have made an error or published misleading information, we will correct or clarify the article. Our editors thoroughly review and fact-check every article to ensure that our content meets the highest standards. Our goal is to deliver the most accurate information and the most knowledgeable advice possible in order to help you make smarter buying decisions on tech gear and a wide array of products and services. ZDNET's editorial team writes on behalf of you, our reader. Indeed, we follow strict guidelines that ensure our editorial content is never influenced by advertisers. Neither ZDNET nor the author are compensated for these independent reviews. This helps support our work, but does not affect what we cover or how, and it does not affect the price you pay. When you click through from our site to a retailer and buy a product or service, we may earn affiliate commissions. And we pore over customer reviews to find out what matters to real people who already own and use the products and services we’re assessing. We gather data from the best available sources, including vendor and retailer listings as well as other relevant and independent reviews sites. ZDNET's recommendations are based on many hours of testing, research, and comparison shopping. Back in late May, a few weeks ahead of The Flash’s arrival, director Andy Muschietti spilled that Nicolas Cage cameoed as Superman in the Scarlet Speedster’s standalone movie. While it’s surprising that Maridueña and Soto are this open about one of Blue Beetle’s major plot points so far ahead of its release, this isn’t the only DC movie released in 2023 that’s been subjected to a major spoiler from one of its attached talents prior to hitting the big screen. I want people to understand that if you have your parents, just hug them, because you never know when it’s the last time. Jaime didn’t have a chance to say goodbye to his father. It wasn’t his body.” So evidently even after Alberto dies, somehow his soul is present for his son to see before it passes on to the great beyond. But your reaction was exactly what we were trying to achieve.įor his part, Xolo Maridueña described this moment in Blue Beetle as his favorite part of the movie, sharing that Damián Alcázar was “so generous and wise and calm,” and that he remembered thinking it was “ethereal” that Jaime sees his father later on in the movie, but “just his soul. And just imagining it, it’s heartbreaking for me. I have not gone through the hardship that you went through, I can only imagine. While the details surrounding Alberto’s demise aren’t shared, the interviewer, Joshua Encinas, noted how it reminded him of his own father’s death, and in the morning before he watched Blue Beetle for the first time, he’d thought to himself, “What if I saw dad’s spirit right now in the living room?” That led Soto to say the following: Maridueña and Soto were being interviewed by MovieMaker, and one of the topics brought up was how the movie apparently sees Jaime’s father Alberto Reyes, played by Damián Alcázar, dying. |
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